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Audio and video recordings of the first performance are enclosed for reference.
I am very much indebted to all those people who helped me in some way to have this work done.
Recent experimental data on the inter-relation between language (more specifically, speech) and music are also reviewed.In a review on the comparison of music and language, Besson and Schn (2001) list different theories that claim in contrast with the Generative Grammar Theory that language may actually be dependent, at least in part, on other general cognitive functions.In this chapter we will describe the musilanguage model (a theory that suggests a common ancestor for music and language see Brown, 2001), as well as summarize basic considerations of evolutionary theories of music (Huron, 2001; Cross, 2003).In the following pages, I discuss in detail some fundamental theoretical ideas that are involved in the interdisciplinary research on the music-language relationship, as well as presenting an historical survey of contemporary music in which the interplay between speech and music structure is a dominant element.Specific speech-related composition techniques are also described and discussed.
Studies range from general theories and models describing their possible common origins to specific experimental approaches trying to elucidate the details of such relationship.